Ab toh meri zindagi ka maqsad hi yahi hai ... ki main itna kaabil ban sakoon ... ke tumhare har sapne ko poora kar paun - kaabil Movie Dialogues

22:43 0 Comments




Ab toh meri zindagi ka maqsad hi yahi hai ... ki main itna kaabil ban sakoon ... ke tumhare har sapne ko poora kar paun - kaabil Movie Dialogues



kaabil Movie Story, Dialogues, Review


Kaabil (English: Capable) is a 2017 Indian Hindi-language crime drama film, directed by Sanjay Gupta, written by Vijay Kumar Mishra, produced by Rakesh Roshan under his banner FilmKraft Productions. It features a love affair between two blind people, played by Hrithik Roshan and Yami Gautam. Music is composed by Rajesh Roshan. Principal photography of the film began on 30 March 2016. The film was released on 25 January 2017.

Rohan is a kind, happy young man who has been blind since birth and works as a voice-over artist for a living. Through friends, he meets Supriya, a working woman who is also blind, but proudly independent. The two start liking each other and get married.

One night, on their way back home after dining out, they are interrupted by Amit Shellar, a local goon and younger brother of Madhavrao Shellar, a well-known politician. He and his friend Wasim, drunkenly misbehave with the couple, enraging Rohan, and they have a heated exchange.

The next morning while Rohan is at work, Amit and Wasim sneak into the house and gang rape Supriya. A horrified Rohan immediately calls the police; Officer Chaubey advises him to get his wife medically examined in 24 hours to prove the assault. While Rohan and Supriya are on their way to the clinic, they are kidnapped by Shellar's men and held captive for 36 hours.

After being set free, Rohan and Supriya are criticised by police for the delay in getting Supriya clinically examined, and both are accused of being liars. Heartbroken, they return home. Supriya attempts to live normally but Rohan becomes silent and introspective, which hurts her.

One morning, Rohan returns early from work to apologise to Supriya for not being as supportive as he should have, only to find her corpse, hanging from the ceiling fan. Madhavrao visits Rohan and reveals that his brother Amit raped Supriya not once but twice. Rohan finds Supriya's braille note, which ascertains that Amit had raped her a second time; this second assault led to her suicide. Shattered, Rohan changes. He implies to Officer Chaubey that he will avenge his wife's death, challenging that Chaubey will know who did it but will be able to do nothing about it, just like he did nothing about Supriya's rape.

Rohan uses his voice modulating skills to lure the culprits to places that Rohan knows well. First, he tricks Wasim and hangs him, leaving Amit's handkerchief behind to frame Amit. He then lures Amit to the warehouse where he and Supriya were held captive for 36 hours. He finds Amit by scent, tying him down to be burned alive in an explosion.

Officer Chaubey suspects Rohan for Amit and Wasim's murders after remembering his challenge, and puts him under house arrest. It is revealed that Chaubey knew Amit raped Supriya but did nothing after Madhavrao bribed him. Rohan gets past police with the help of his friend, and calls Madhavrao to a building under construction that was to be Rohan and Supriya's new home. There, Rohan kills him and makes it look like a suicide. Rohan later relates the story to Chaubey: he made it look as if Amit killed Wasim, then Madhavrao committed suicide due to the pain of Amit's death. With no evidence against Rohan, a blind man, Chaubey stands helpless. Rohan, his revenge complete, scatters Supriya's ashes at sea.

Revenge is a dish best served blind is the message Kaabil serves up. Drawing inspiration from Hollywood’s Blind Fury (1989) with Rutger Hauer in the lead and even borrowing shades of the Korean super hit, Broken (2014), Sanjay Gupta gives you a Bollywood adaptation that is entertaining and effective.

For starters he lovingly sets up the beautiful world of a blind couple--Rohan, a proficient dubbing artiste and Supriya, a talented pianist--who despite their handicap have a positive disposition towards life. In just two scenes, you can feel their love. So much so, when they get separated from each other for a few minutes at a mall, you start feeling anxious.

Also, when this couple breaks into the Mon Amour dance, it’s so magical, you find yourself clapping gleefully. But whether it is life or a Bollywood thriller, life is definitely not all song and dance. When a cad, Amit Shellar (Rohit Roy) and his scum-buddy Wasim(Sahidur Rahman) rape Supriya, Rohan’s world is plunged into even more darkness than the one he is born into.

Predictably the rapist Amit is the brother of the local corporator, Madhavrao Shellar(Ronit Roy), so the corrupt police officers, played efficiently by Narendra Jha and Girish Kulkarni, drag their feet over the investigation. When the humiliation gets too much to bear, Supriya caves in, leaving Rohan with vendetta on his mind.

Here, the film shifts gears and though you know what’s next, the cat and mouse game still gives you an adrenaline rush. Every time the blind vigilante commits an atrocity, you whistle in the aisle.

The highlight of the film is Hrithik’s bravura performance. He is vulnerable as a lover and menacing as a killing-machine. Half a star in the movie-rating is reserved for his all-time best performance here. Yami provides the perfect foil, subtle and super-effective.

Technically the film is adept, Thanks to masters like Sudeep Chatterjee (camera) and Resul Pookutty(sound). However Rajesh Roshan’s yesteryear hits—Saara Zamana and Dil Kya Karen in their remixed avatars are pale imitations of their original versions.

Some say he’s half man half fish, others say he’s more of a seventy/thirty split. Either way he’s a fishy bastard. Google